The Project Gutenberg EBook of A Desperate Game, by John Maddison Morton This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: A Desperate Game A Comic Drama in One Act Author: John Maddison Morton Release Date: May 11, 2014 [EBook #45628] Language: English *** START OF THIS PROJECT GUTENBERG EBOOK A DESPERATE GAME *** Produced by Paul Haxo from page images generously made available by the University of California, the HathiTrust Digital Library, and Google. A DESPERATE GAME. A Comic Drama. IN ONE ACT. BY JOHN MADDISON MORTON, (Member of the Dramatic Authors' Society), AUTHOR OF Box and Cox, John Dobbs, The Woman I Adore, A Capital Match, Your Life's in Danger, Who Stole the Pocket Book? Poor Pillicoddy, Friend Waggles, Where there's a Will there's a Way, The Writing on the Wall, Betsy Baker, Going to the Derby, My precious Betsy, Slasher and Crasher, The Two Bonnycastles, &c., &c. THOMAS HAILES LACY, WELLINGTON STREET, STRAND, LONDON. _First performed at the Theatre Royal Adelphi, on Saturday, April 9th, 1853._ ----- Characters. CAPTAIN RATCLIFFE MR. LEIGH MURRAY. MR. PERCY POSTLETHWAITE MR. KEELEY. DAVID MR. ROGERS. MRS. SOMERTON MISS WOOLGAR. PEGGY MRS. LAWS. ----- Costumes. CAPTAIN RATCLIFFE.--Green coat, gilt buttons, light waistcoat, black trowsers, with over coat, whiskers, and moustache to take off. POSTLETHWAITE.--Light drab trowsers, fancy waistcoat, blue shooting coat, green wide-awake. _Second dress:_ Same, muddy. DAVID.--Old fashioned livery. MRS. SOMERTON.--Green tarletan ball dress, trimmed with ribbon and flowers. PEGGY.--Old fashioned housekeeper's dress. SCENE--_Tunbridge Wells._ _Time in Representation--55 minutes._ A DESPERATE GAME. ----- SCENE I.--_A Drawing Room at Mrs. Somerton's; a fire-place at C. with a bell rope on each side of it; doors R. C. and L. C.; above the door R. C. a small window; window R. 2 E.; a clock on the mantel-piece; a work table L., on which is a writing desk; another table in C. of the stage, with papers, books, &c. strewed on it; chairs, &c., &c.; another door at R. 2 E. Stage dark. A loud ringing at door bell heard._ RAT. (_outside_) Now then, my good friend, a little quicker, if you please. (_enters at door, L. C., in over coat, whiskers, and moustache; he is closely followed by DAVID, who carries a lantern_) DAVID. But, zur, zur, don't ye be in such a hurry. RAT. (_throwing a hasty look round the room, then--aside_) Come, I've effected an entrance, at all events! so far, so well, provided I'm not compelled to beat a retreat before I've accomplished my object. (_walks to various parts of room, examining, &c., &c._) DAVID. (_all this time examining RATCLIFFE from head to foot with his lantern--aside_) Well, this be about the free and easiest chap I ever cut in with; he almost pulls the gate bell down to begin with, and when I opens the door--thinking in course it's missus come home--in he walks, and without so much as rubbing his boots on the door mat, tells me to light him up stairs, at four o'clock in the morning, too. (_aloud_) Who be ye, zur? I know it don't become a servant to be inquisitive--so if you'll only tell me who ye be, what ye be, why you come here, what you want here, where you come from, and a few other _particklers_, I'll be satisfied and ask no questions. RAT. (_aside_) I must get rid of this fellow. DAVID. If you want missus, she be gone from home. She be at a grand ball, and if she finds you here when she comes home, she'll blow me up in fine style, as sure as my name's---- RAT. David! DAVID. (_astonished_) He knows my name! RAT. (_turning towards DAVID_) Now hark ye, David. There's nothing more offensive to me, David, than familiarity in a servant, David; but in consideration, David, of your having only recently entered Mrs. Somerton's service---- DAVID. He knows that, too. RAT. And you're being naturally a stupid thick-headed fellow. DAVID. Dang it, he knows all about me. RAT. I have no objection to look over it this once, but the next time it occurs, David, I shall discharge you, David! DAVID. Discharge me! You? (_suddenly_) Lud a mercy--in course, I know who 'ee be now! RAT. (_alarmed_) The devil you do. DAVID. Ees, you be he. RAT. Oh! I'm he, am I? DAVID. Ees. I should have known 'ee again directly, only I never seed 'ee before. RAT. (_aside_) That's lucky! DAVID. Why missus has been expecting of you the last three days. It was only just afore she went out she said to me, "David," said she, "if my cousin should happen to arrive from London before I get home, show him every attention," says she! RAT. (_aside_) Her cousin, egad! he takes me for that simpleton Percy Postlethwaite; not very complimentary, perhaps, but decidedly lucky! (_aloud_) Yes, David, here I am, at last; and how is Mrs. Somerton? DAVID. Mrs. Somerton! is that the way you speak of your cousin? go along, do. (_poking RATCLIFFE in the side_) Ah! Mr. Percy Postlethwaite, you be a lucky young chap to get such a wife, I can tell 'ee. RAT. (_aside_) Wife! so, so, Mr. Percy Postlethwaite, matters are in a more forward state than you led me to believe. DAVID. You'll find supper all ready for 'ee in the library, (_pointing_) so I'll just light the candles. RAT. By all means, David. (_aside_) He does'nt know me. DAVID. (_while lighting the candles_) Missus 'll be mortal glad to see 'ee, and as for Peggy, she won't know whether she be standing on her head or her heels. RAT. I'm sure I'm very much obliged to Peggy. (_aside_) Who's Peggy? DAVID. And no wonder; she tells me many's the time she's dangled 'ee on her knee, afore ye were breeched; (_imitating_) but ye know all about that. RAT. Of course. I've the most distinct recollection of everything that happened to me before I was breeched. DAVID. (_having lighted candles_) There, and now I'll go down stairs and wait for missus; and as soon as she comes in, I'll say to her---- RAT. Not one word, either to her or to Peggy! I wish to give them both an agreeable surprise, David; you understand, eh? DAVID. (_hesitating_) I think I do! RAT. (_giving him money_) There's a crown for you--think again. DAVID. (_pocketing money_) I'm sure I do! I'll be as dumb as an oyster. (_going--stops_) As I said before, supper be all ready in t'other room, (_going--stops_) and if 'ee want anything you needn't ring for me, 'cause I be going to take a bit of a snooze before the kitchen fire. (_yawning_) How sleepy I be to be sure. _Exit at door, L. C._ RAT. (_watching DAVID out, then goes quickly up and closes the door_) Alone at last--now then to work. (_takes a pair of pistols from his coat pocket, which he places on table_) But first, as ladies invariably fly to the bell ropes to raise an alarm, I must take the liberty of cutting these. (_taking knife out of his pocket, and cutting the bell ropes_) Now to examine the means of escape, in case of interruption--(_opening window and looking out_)--the garden--a small conservatory underneath--that's awkward; but, luckily, there's an apple tree so conveniently close as to make a very tolerable ladder on an emergency, so far perfectly satisfactory--and if my information is only tolerably correct, and it ought to be considering the trouble I've had in obtaining it, (_taking small pocket book from his waistcoat and opening it_) this door should lead to Mrs. Somerton's chamber--(_opening door at L., and looking in_)--exactly, and very elegantly appointed indeed. (_closes door, and again looking at his pocket book_)--"near the door a table"--precisely--(_laying his hand on the table_)--"on the table a small writing desk"--here it is--(_laying his hand on the writing desk_)--locked, and the key taken out, that of course I expected; but as I have ascertained that between the hours of 12 and 1 yesterday it became the temporary receptacle of a pocket book containing bank notes to the amount of fifteen thousand pounds, it is not likely I should come unprovided with the means of securing such a treasure. (_takes out a bunch of small keys, some of which he tries--produces a chisel from his coat pocket, and is about to insert it under the lid of the box, a loud ring at gate bell heard_) Mrs. Somerton returned. (_runs to door, L. U. E.--ring repeated_) Again! Stay--(_listening_) The window--quick! (_runs to window_) A man in the garden, and cautiously making towards this window. Who can he be? and what can be his object? Not the same as mine surely--egad, that would be comical enough. If I could only observe---- Ah--that door. (_blows out the candle, and gropes his way to door, R.; at the moment that he enters the room, R., POSTLETHWAITE'S head is seen at the window, R. U. E._) POS. I've done it! I've been ringing at the bell long enough, so I've been obliged to effect an entrance by the window; (_putting one leg over the window sill_) and let me observe to the inexperienced in these matters, that the fact of threading one's way up a densely wooded apple tree on a pitch dark night is a gymnastic feat more easily imagined than accomplished. (_gets in at window--he has a carpet bag_) However, as I said before, I've done it, and what's more I live to tell it, though I may be allowed to remark that, considering my cousin, Mrs. Somerton, has been expecting me--_me, her affianced husband--_for the last three nights, I think she might have allowed one of her domestics to sit up for me: however, I'm not going to quarrel with her, no--no--I cannot forget that she's my cousin, and the only child of my honoured and lamented uncle--I mean aunt--no, uncle--and now that the law suit has been decided in her favour, and that she steps into possession of fifteen thousand pounds, her late husband's fortune, I feel that to upbraid her at such a moment would be unmanly. There's a spark of fire left in the grate I declare--that's lucky! I'll light a candle if I can find one. (_feeling about_) Here's one--no, it's a scent bottle--now I've got it--(_takes candle, and goes towards fireplace_)--and now for a piece of paper. (_takes a paper out of his pocket, and about to tear it_) Stop--it won't do to tear this, this is yesterday's Times, in which I find that my friend Captain Ratcliffe has been appointed to the situation of Chief Superintendent of the Rural Police, of the Western Division of the County of Kent, and as I know he's been here at Tunbridge Wells for the last week, I've determined to find him out, and be the first to congratulate him--this'll do! (_taking another piece of paper, and lighting the candle with it_) There--and now---- (_seeing a letter on the table, and taking it up_) What's this? "Colonel Boldwig requests the honour--Mrs. Somerton's company--Thursday evening--quadrilles, &c. &c." Then she's not at home; then, egad, I'll wait for her here--but not in this costume--no, I'll just change my coat, et cetera: and, probably, my et cetera requires changing more than my coat, because naturally in ascending a tree one occasionally requires to sit down, consequently, it naturally follows that one's et cetera, upon which one does sit down--of course, it stands to reason--so here goes. (_taking up the candle, carpet bag, and umbrella, and going towards door, R. C., and enters. Scene again dark. At this moment RATCLIFFE opens door at R., enters, moves across on tiptoe, and locks the door at R. C._) RAT. Come, I've got you safe under lock and key, my worthy friend, whoever you are, and now not another moment must be lost. (_advances towards the writing desk quickly, L. table_) MRS. S. (_without_) Don't be alarmed, David, I forgot to say I had taken the latch key with me. RAT. Mrs. Somerton's voice, and no means of escape! Then impudence befriend me! (_hurries into room, R._) _Enter MRS. SOMERTON and PEGGY at door, L. U. E._ PEGGY. (_who carries a small lantern in her hand, which she places on table_) Dear, dear, how my poor old bones do ache. MRS. S. (_throws off her cloak and hood, and appears in a handsome ball costume_) Now go to bed at once, my good Peggy, I don't require you any more. PEGGY. Yes you do, so sit down there--(_making MRS. SOMERTON sit down on a chair_)--and now, while I'm taking all these gimcracks and finery out of your hair, you shall tell me all about the grand doings at the ball. I warrant me, what the colonel's footmen said of you was quite true. MRS. S. And pray what did the colonel's footmen say? PEGGY. They said---- Drat the pin! They said you were the most beautiful lady in the room--that you had handsomer partners than any lady in the room. MRS. S. Yes--to do them, justice, they fairly danced me off my feet, and yet I am neither grown better tempered, nor better looking, than I was three months ago, when at a previous party not one of them condescended to select me for a partner; but then, on the other hand, I am fifteen thousand pounds richer. PEGGY. (_suddenly, and giving MRS. SOMERTON'S hair another jerk_) That's it! Ah, ma'am, these lords of the creation, as they call themselves, are but a poor mean selfish set after all. MRS. S. Selfish! No, not all--(_sighing_)--there is one at least. PEGGY. No! Is there?--he must be quite a curiosity! Oh, ma'am, who is he? MRS. S. It's a long story, Peggy, and it's getting late. PEGGY. It's never too late to hear good news. MRS. S. Then listen, Peggy. You remember that about ten months ago I was earnestly advised by my physicians to pay a short visit to the continent. PEGGY. Yes; and I remember too that you came home quite an altered woman--_I_ never saw hair dressed in such an extraordinary style--never! MRS. S. Don't interrupt me. I had been in Paris about three weeks, when one evening on my return from the opera, I found a note on my dressing table, containing these words--"I have seen you, and to see you is to love you. I am young, tolerably handsome, and sufficiently rich, yet as I cannot presume to present myself to you until you permit me to do so, I shall venture to remind you from time to time that I am near you." PEGGY. Well I'm sure, Mr. Impudence; and what was the fellow's name? MRS. S. There was no name, but merely the initials C. R. PEGGY. C. R. Samuel something or other I dare say--but he gave his address? MRS. S. No; simply the words "Post Office, to be left till called for." Of course, I took no notice of it whatever, and had forgotten the circumstance altogether, when a month afterwards to the very day--the very hour--I was then at Florence, I received a second communication, couched in precisely the same words, and again subsequently at Venice, Naples, and Milan. PEGGY. Dear, dear, it's as good as a play! Then you never took any notice of the fellow at all? MRS. S. Yes; a circumstance, the bare recollection of which makes me shudder even at this lapse of time, compelled me to break through the silence I had hitherto imposed upon myself: in travelling through Switzerland, on my return to England, the carriage which I occupied was one night placed in imminent peril by the restiveness of one of the horses; fortunately, I was asleep, and was not aware of my danger till I was assured of my safety--within a few feet of a fearful precipice, the traces had been cut, by a man who had evidently followed me, judge then of my astonishment when a voice uttered these words in my ear, "You see, madam, I have kept my promise, I am _still near you._" PEGGY. Well, he was a fine brave gentleman, whoever he was; and what was he like--eh? MRS. S. He had disappeared before I could even thank him for his timely and generous assistance. PEGGY. Well? MRS. S. Well? (_hesitatingly_) his next letter, which reached me shortly after my return to England, did _not_ remain unanswered. PEGGY. I should think not, indeed! and what did you say to Mr. C. R.? MRS. S. The truth! that my hand was promised to my cousin, Percy Postlethwaite; that his father had once saved _mine_ from ruin, who made me promise, as the only means of testifying _his_ gratitude to the father, to marry the son. PEGGY. Ah! and that, of course, was a settler for Mr. C. R. MRS. S. On the contrary, his answer to my letter ran thus:--"Love like mine never despairs. I will still be near you, for I still hope"--and yet for the last _two months_ he has ceased to write. PEGGY. Of course he has! and high time, too, considering you told him you were Mrs. Postlethwaite, as was to be. MRS. S. Very true; and yet (_after a slight hesitation_) no matter, go to bed, Peggy. Good night. PEGGY. Good night, ma'am. (_taking the lantern--aside_) Luckily when Master Percy arrives he'll put all this romantic lackadaisical nonsense out of missus's head. _Exit at door, L. C._ MRS. S. Yes, while the news of my recent accession to fortune has brought so many admirers to my feet, he, on the contrary, has ceased to think of me. (_MRS. S. seats herself in chair near the work table, L.; RATCLIFFE at the same moment enters and cautiously goes to door, L. C., which he closes. The stage is only dimly lighted_) MRS. S. (_hearing the noise of the door closing, and without turning round, as she unclasps her bracelets_) Is that you again, Peggy? (_not receiving an answer, she turns and sees RATCLIFFE; starts violently, and checking a scream_) A man! RAT. (L.) Do not be alarmed, madam, I beg. (_advancing slowly_) MRS. S. (_retreating, and in a tone of alarm which she endeavours to repress_) Who are you, sir? and why this unseasonable intrusion? I insist on knowing. RAT. A little patience, my dear madam, and you shall. (_observing MRS. SOMERTON, who endeavours to reach the door, L. C._) One moment, madam. Before you summon your servants, allow me to observe that I shall be under the painful necessity of punishing any one who presumes to interrupt so delightful a _tete à tete._ (_slowly taking his pistols from his pocket, and depositing them on the table_) MRS. S. (_terrified and aside_) He's armed. (_suddenly_) Ah! that writing desk--that large sum of money--(_placing herself before the table on which the writing desk is, and supporting herself with difficulty_) RAT. Now, madam, (_crosses to R. with chair_) the sooner I explain the object of this somewhat unceremonious visit, the better. Will you allow me to lead you to a chair? (_politely offering his hand to MRS. SOMERTON, who draws back in alarm_) Pray, my dear madam let me once more entreat you not to be alarmed. (_MRS. SOMERTON after a slight hesitation, gives him her hand, and he leads her to the chair near table, at C._) Be seated, I beg. (_MRS. SOMERTON seats herself. RATCLIFFE about to remove up for another chair, MRS. SOMERTON advancing her hand towards the pistol--stops_) Pray be cautious with those pistols, madam; they are hair triggers, and I perceive the muzzles are directly pointed towards you. (_goes up to the back for a chair_) MRS. S. (_aside and suddenly_) If I could but distinguish his features, so as to be able to recognise him. (_hastily runs and brings candle from the small table at L., and places it on table before her_) RAT. (_coming down with the chair, R.--stops_) You'll pardon me, madam, but having suffered lately from a severe cold in my eyes, this excess of light would be positively distressing to me. (_removes the candle to the mantel-piece, L.; then about to seat himself opposite to MRS. SOMERTON_) Have I your permission, madam? I thank you! (_seats himself_) MRS. S. (_aside_) Was there ever such unblushing effrontery? RAT. Now, madam, I will come to the point at once. I am in the immediate want of _fifteen thousand pounds._ (_with marked intention_) MRS. S. (_aside_) He knows all. RAT. Which sum, madam, I intend to invest in a speculation, which promises the most advantageous results. MRS. S. (_with affected unconcern_) I cannot understand, sir, how the subject you allude to can possibly interest me. RAT. More than you imagine, my dear madam, for I propose that you shall become my partner in this speculation; in other words, I will find the industry and energy requisite in carrying it into effect, while you _simply have to provide the money._ (_with marked emphasis_) MRS. S. (_indignantly_) Sir! RAT. That's all! I'll therefore make out a receipt for the amount at once. (_taking a piece of paper, and beginning to write_) MRS. S. (_aside, and looking towards the back of the stage_) That bell communicates with David's room; it is my only hope. (_cautiously rises from her chair, and goes on tiptoe towards the chimney-piece_) POS. (_appearing at little window above door at R. C._) I should very much like to know who has taken the liberty of locking me in! I repeat, who has taken the liberty of locking me in? I pause for a reply. MRS. S. (_looking at RATCLIFFE, who pretends to be writing, but is watching her movements--then making a sudden grasp at the bell rope_) Ah! the bell rope cut! RAT. (_quietly looking up_) Yes, true! I quite forgot to mention that I had taken that _little precaution_ against interruption. (_resumes his writing_) POS. (_listening_) Holloa! Either cousin Somerton has got a very bad cold, or she's not alone! RAT. Here, madam, is the receipt. (_rising_) POS. That's a man's voice! RAT. And now, madam, the necessary forms being completed on my part, all that remains is for you to find the funds; amounting, as I believe I mentioned before, to the sum of fifteen thousand pounds. MRS. S. (_forcing a laugh_) And do you imagine I could be imprudent enough to keep so large a sum of money----? RAT. On your person? Oh, dear no; that would be an indiscretion for which, as your partner, I should certainly take the liberty of scolding you. POS. What's that? he says he's my wife's partner! I never even knew she was in business. RAT. Until you could deposit it with your banker's, you have, doubtless, placed it somewhere under lock and key; but as you seem to have forgotten the exact locality, I shall be most happy to assist you in your search. Suppose we begin with the writing desk. (_placing his hand on the desk_) Will you oblige me with the key? POS. The fellow's a housebreaker! MRS. S. I--I have mislaid or lost it, sir: at least, I think I have. RAT. Pray _think_ again, my dear madam, as it would be really a pity to damage so elegant a piece of furniture. POS. No--he's a smasher! It's lucky for him I can't get at him. MRS. S. (_suddenly, and with resolution_) Sir, although alone, and in the power of a desperate man like you, I will not be plundered except by violence. POS. That's right, cousin--stick to that! She's a trump! RAT. (_approaching her as she leans against table in C., and in a tone of reproach_) Violence to a woman, and _such a woman!_ (_bowing_) POS. Humbug! RAT. I see you mistake me, madam, I came here to serve you--to propose to you a safe and profitable investment for your money, but the moment you object to that proposal---- (_taking one of the pistols off the table and playing with it_) POS. What's that he's got in his hand? (_RATCLIFFE cocks the pistol, the noise of which is distinctly heard_) It's a blunderbuss! (_disappears like lightning, then cautiously appears again_) MRS. S. (_shuddering and sinking into a chair_) You will find the key--in that vase--on the mantel-piece. RAT. That vase, madam? (_pointing with his pistol towards mantel-piece in the direction of POSTLETHWAITE, who again disappears like a shot; RATCLIFFE goes to the mantel-piece, upon which he deposits his pistols--then takes key out of the vase, and goes to the writing desk: during this POSTLETHWAITE re-appears cautiously, sees the pistols, and by leaning very much out of little window, tries to reach them--almost falling out--disappears; re-appears with the tongs, and again tries to reach the pistols_) Ah! here is a drawer that requires some force to open, doubtless it contains the---- (_opening drawer_) No, your diamonds. Ah, madam, I can trace the amiability of your disposition even in your treatment of these poor jewels--you cease to wear them because their beauty would be eclipsed by yours. (_replacing diamonds in desk_) MRS. S. (_aside, and smiling_) To do the wretch justice he has a certain mode of expressing himself---- POS. I hope he don't mean to keep on fumbling that writing desk about much longer, because the bottom of the cane chair has just given way. Surely, Cousin Somerton never could have been such a simpleton as to lock all her money up there. RAT. Ah, at last--(_taking the pocket book out of the desk, and advancing to MRS. SOMERTON_)--the pocket book. POS. She's a ruined woman and so am I! (_dropping his head against the side of the window_) MRS. S. (_suddenly, and with an expression of hope_) Surely I heard a voice! RAT. One of your servants probably. (_going up towards mantel-piece, and taking his pistols_) I hope he will not take it into his head to interrupt us, for I should certainly send a bullet through it. (_POSTLETHWAITE drops, and a noise of falling heard within door, R. C.; RATCLIFFE places the pistols on chimney piece_) And now, madam, (_returning towards table at C._) with many apologies for detaining you so long from your slumbers, I humbly take my leave. (_seeing the receipt, which he has left on the table_) Stay! (_taking up the receipt, which he presents to MRS. SOMERTON_) I promised you a receipt, madam, and here it is. MRS. S. (_derisively_) A very valuable document to me no doubt, sir. RAT. A very necessary one, madam, in all commercial transactions. (_MRS. SOMERTON takes the receipt, and indignantly crumples it up in her hand_) Once more, madam, farewell. (_taking his cloak and hat_) And in taking my leave, be assured that I carry away with me---- MRS. S. (_sneeringly_) I am perfectly aware, sir, what you carry away with you. RAT. The hope, madam, which I trust you in some degree share with me, that our first interview will not be our last. (_turns at door, L. C., makes a profound bow, and exits, L. U. E._) MRS. S. He's gone, and I have no longer strength even to call for help. POS. (_knocking violently at door_) But I have! I'll cry for help against any man in England! Help! MRS. S. (_rising_) Ah, is that you, David? POS. No--it's me--Postlethwaite. Cousin Percy, open the door. (_MRS. SOMERTON hastily runs and unlocks door, R. C., POSTLETHWAITE puts his head out_) Is the ruffian gone? MRS. S. Yes--yes. POS. You're sure of it? MRS. S. (L.) Quite sure. POS. (_R., rushing on_) Then let me get at him! Come out wherever you are, and face me like a man--come on, I say. (_squaring violently_) Coward! (_in a tone of supreme contempt_) MRS. S. Then you have heard---- POS. Everything from that window, above that closet there, or whatever it is where I've been locked up for the last hour among the pickles. MRS. S. And yet you allowed me to be robbed. POS. Come I like that--you allowed yourself to be robbed. MRS. S. (_contemptuously_) And you did _nothing._ POS. I beg your pardon, I looked on in silent astonishment. MRS. S. But you ought to have made a noise. POS. So I did--I tumbled down backwards into a lot of grocery. (_from the beginning of this Scene between MRS. SOMERTON and POSTLETHWAITE it has gradually become daylight_) MRS. S. And to think that he should be allowed to effect his escape! What shall I do? POS. Do? Take example by me, show a proper spirit like me, and send for the police. MRS. S. We have none. POS. No police! (_suddenly recollecting_) but _I_ have, of course, and a superintendent into the bargain--here--in my pocket. MRS. S. You've got a superintendent of police in your pocket? POS. Yes--no; but I've got his appointment--that's the same thing, besides he's a friend of mine; I'll run for him this moment, and in less than ten minutes we'll have him here dead or alive; I mean my friend--no--the robber--no, my friend. (_running to door, L. C._) Holloa, this door's locked (_running to mantel-piece and about to ring the bell_) and the bell rope's cut (_suddenly_) ah! the ruffian has left his pistols behind him. (_seizing pistols off the mantel-piece_) Stand out of the way, cousin. (_rushing to window_) MRS. S. What are you about to do? POS. Do? send a bullet through his body. MRS. S. Pshaw! Why you can't even see him. POS. Then I'm the more likely to hit him; besides, it will raise an alarm at all events. (_pulling both triggers as he points the pistols out at window_) Holloa they're not loaded! (_suddenly_) Oh, if I had only known that. (_about to get out at the window_) MRS. S. Cousin, what are you about? POS. Why, as I can't get out by the door, I must have recourse to the window. (_getting out_) MRS. S. And this for me! Oh, how kind of you, Cousin; but pray mind how you get down! POS. Don't be alarmed; it's a precious deal easier than getting up! besides I know every inch of the road; so good bye, cousin, and in my way to my friend the superintendent, I'll knock up all the neighbours and tell them to scour the country; we'll find your fifteen thousand pounds again for you. (_gets quite out and gradually disappears_) So don't give way--keep up as I do. Oh, lud. (_suddenly disappears altogether--loud noise of broken glass heard_) MRS. S. He's fallen! (_calling out of window_) Cousin! cousin! POS. (_from without_) It's all right. I've only tumbled into a cucumber frame or something of the sort. I can have the bits of glass taken out of me when I get back. MRS. S. (_looking out_) There he runs, but he's without his hat! (_calling aloud_) Cousin! cousin! you've dropped your hat! he doesn't hear me. PEGGY. (_without at door, L. C._) Missus--missus, the door's locked. (_unlocks door and runs in followed by DAVID, both have their night-caps on, and DAVID carries an old fashioned blunderbuss_) Oh, ma'am, what's all this noise about--what does it all mean? DAVID. Ees, what do it all mean? MRS. S. It means, my poor Peggy, that I have been robbed. PEGGY. Robbed, but not murdered, I hope. MRS. S. (_smiling_) No, not quite, though I am almost dead with alarm! David, have you seen no one? DAVID. No, ma'am--no one but your cousin, master Percy, who arrived about half an hour before you came home. MRS. S. Yes, yes, I know; but there was another. DAVID. Then I didn't let _him_ in, and I know he can't have gone out again without my seeing him. (_aside_) To be sure I've been fast asleep all the time. MRS. S. Then perhaps he's still in the house? PEGGY. Lud a mercy! (_getting behind DAVID, who in his turn tries to get behind PEGGY_) DAVID. (_suddenly as he looks towards window, R. in flat_) Look, ma'am, if there ben't Sergeant Jones of the rural police riding along the lane at the bottom of the garden. (_running to window and shouting_) Here, Sergeant Jones, stop--he hears me, ma'am. MRS. S. This is fortunate indeed; so run, David, and give him information of the robbery; tell him that he may rely on the most liberal reward. (_DAVID about to run off_) and, David, tell him also, should he discover any clue, that he must communicate with his superintendent here--that I expect him every moment; run, David. (_DAVID runs off at L. C._) and you, Peggy, go down stairs and be ready to open the door; I will go to my room for a few minutes. PEGGY. Do, ma'am; it'll do you good to lie down a bit; it's broad day-light--just till Mr. Superintendent comes. (_MRS. SOMERTON enters her room, L._) PEGGY. (_looking after her_) Poor missus--she's lost all her treasures except me. _Exit at door, L. C._ POS. (_without_) I tell you it's all right, so come along. RAT. (_without_) But, my dear fellow-- _POSTLETHWAITE enters at L. C. pulling in RATCLIFFE, without his beard, moustache, and over coat, and in a modern walking suit._ I never applied for the appointment; there's some mistake. POS. Mistake, nonsense! here it is in the newspaper, and you know as well as I do that newspapers never make mistakes. Captain Charles Ratcliffe appointed superintendent of the rural police. RAT. (_aside_) What the devil's to be done?--luckily I've got rid of my disguise! POS. How very odd I should happen to run up against you. Eh! at five o'clock in the morning too. RAT. Yes, I was going home from a bachelor's party. (_confused_) POS. Little dreaming that at that moment you held the distinguished position of commander-in-chief of the rural police force of this important district. RAT. Pshaw! I shall resign at once. (_going_) POS. (_pulling him back_) You can't till your successor is appointed. RAT. (_aside_) There's no escape, I must brazen it out: lucky I have got rid of my disguise, at any rate I shall see her once more! (_aloud, and in an assumed tone of authority_) ahem! (_seats himself_) now I am ready to listen to you. POS. (L.) That's right--you must know then. (_seats himself_) RAT. (R.) One moment, are you about to address me in my official capacity? POS. Of course, I am. RAT. Then don't sit down. POS. But really my back aches to that degree-- RAT. Then I'll receive your deposition to-morrow. (_gets up and going_) POS. No, no! (_pushing RATCLIFFE in his chair again_) I'll stand up there! and now, my dear fellow-- RAT. A little less familiarity, if you please, young man. POS. Very well--you must know then, old chap-- RAT. Again-- POS. Well, then, your worship! there, will that do? you must know then, your worship, that I've just been robbed of a very considerable sum of money. RAT. You? POS. Well, my cousin, Mrs. Somerton has--and as I'm going to marry her, what's her's is mine, and what's mine's my own; but you know all about that, governor--I mean your worship. RAT. Which property I suppose, you wish to recover? POS. Of course, I do; you'll excuse me, my dear boy, Charley, I mean your worship, but that's a remarkable stupid observation of your's. RAT. Silence--was the robbery you speak of accompanied by violence? POS. Of course, it was! would you allow a fellow to walk off with your property without making a fight of it, not you, my trojan--I mean your worship! but I'll tell you all about it. I had just arrived from London, and finding that cousin Somerton had that instant returned home from a ball, I determined to give her an agreeable surprise, and for that purpose I was walking on tiptoe along that passage, when I was almost knocked off my legs by a piercing shriek. "My cousin in danger," said I, "then Postlethwaite to the rescue," said I, and with an unfaltering grasp I seized the handle of the door--it was locked, upon which with one blow of this fist--you know my muscular power--I knocked the door clean off its hinges. RAT. (_smiling_) You don't say so? POS. Well, in I rushed, and the first thing I saw was---- RAT. What? POS. Nothing; the room was in total darkness, and the next instant I found myself face to face with a gigantic housebreaker about seven foot high, with two pair of pistols in each hand, and there, extended upon the hearth rug, with her head on the fender lay my poor cousin in a dead faint, and as pale as a sheet. RAT. (_smiling_) But how the deuce did you manage to see all this when the room was in total darkness? POS. What of that? everybody knows that housebreakers are always as pale as a sheet when they faint away; I mean women are always seven feet high--no, housebreakers--really you interrupt me so I don't know what I'm talking about. RAT. (_smiling_) Well? POS. Well, though I was unarmed, I instantly rushed upon the two ruffians. RAT. Two ruffians? POS. Yes. I said there were two, who instantly made for the door, which luckily I had taken the precaution of locking. RAT. Locking! What the door you had just knocked clean off its hinges? POS. Yes. I forgot to mention that in the meantime I had picked the door up and hung it on again. Well, finding they couldn't escape, they both sprang upon me at the same time! The fearful struggle then began afresh, till exhausted nature could do no more, and the whole three of us rolled out of the window together. But here comes my cousin! (_running to door, L._) RAT. Then, as I said before, impudence befriend me. POS. (_handing in MRS. SOMERTON_) Come along, cousin, I told you I'd soon have my friend the superintendent here. Captain Ratcliffe, my cousin. My cousin, Captain Ratcliffe. (_introducing them. MRS. SOMERTON curtseys to RATCLIFFE, and on looking at him gives a very slight start, while RATCLIFFE continues to show the utmost sang froid_) And now, cousin, the sooner you give him all the particulars. Why, what's the matter with you? (_observing how MRS. SOMERTON is examining RATCLIFFE_) MRS. S. Nothing. Doubtless I am mistaken. Yet, I am under the impression that this is not the first time---- RAT. That we have met? madam, if so, I am ashamed to say that I have forgotten the circumstance. (_crosses to C._) MRS. S. (_aside_) The voice too--pshaw--impossible! RAT. Now, madam, as every moment is of the utmost importance you must be good enough to answer a few questions. In the first place how the entrance to the house was effected by the robbers. (_taking out his pocket book and pencil._) MRS. S. Robbers!--there was only one. RAT. Only one! (_to POSTLETHWAITE_) I understood you to say there were-- POS. (_interrupting him_) Yes, yes. (_aside to him_) Of course, she doesn't know how many there were, because as soon as she saw _one_ she fainted. RAT. True! (_smiling_) MRS. S. (_aside_) That voice again--I must be mistaken--yet, every word he utters--(_looking again fixedly at RATCLIFFE_) RAT. (_C., to MRS. S._) You have not answered my question, madam. MRS. S. I can only say, sir, that on being left alone, I was disturbed by a slight noise, and on turning round, he stood before me--as you do. RAT. A bold and impudent villain, evidently. I can easily conceive your alarm, madam, but luckily your cousin here on hearing your piercing shrieks, (_POSTLETHWAITE pulls his coat tail_) rushes to your assistance, and with one blow of his masculine fist-- POS. (_stopping him, and aside_) That'll do--don't remind her of that terrific scene, it distresses her. RAT. (_smiling again_) True. (_to MRS. S._) Then, madam, you would probably be able to identify this audacious criminal? MRS. S. (_with intention_) Not with absolute certainty, sir. POS. No, more should I. RAT. That's strange too, considering the length of time you were struggling with him. POS. Yes, yes. (_aside to him_) That'll do--she can't bear it. MRS. S. (_still with intention_) And were I to act upon my present _suspicions,_ however well grounded they may appear, I might be the means of compromising-- RAT. Who, madam? MRS. S. (_looking at him_) One perhaps, whose position in society---- RAT. Nay, madam--as the representative of the law, I tell you that it matters not what his social position may be, we must not mince matters. POS. Certainly not. I'd rather mince him. Fifteen thousand pounds is a lump of money. RAT. (_with pretended astonishment_) Fifteen thousand pounds--the unconscionable scoundrel!--one moment (_writing in the pocket book_)--amount stolen--fifteen thousand pounds; number of robbers---- POS. (_aside to him_) Uncertain! as there seems to be a little difference of opinion between cousin and me upon that point. You'd better say "uncertain." RAT. (_to MRS. S._) Bank notes, I presume? MRS. S. Yes, sir--bank notes. RAT. And contained in that writing desk. MRS. S. (_aside_) 'Tis he, I'm sure of it (_hastily and aside to POSTLETHWAITE, while RATCLIFFE is examining the writing desk_)--tell me, do you say you know him? POS. Who, the housebreaker? MRS. S. No, that person. (_pointing to RATCLIFFE_) POS. Know my friend Ratcliffe, of course I do. RAT. (_observing them and coming down, between them._) I regret I cannot hold out to you any reasonable hope of recovering your property. POS. You don't mean that? RAT. Why, unfortunately Mrs. Somerton is unable to give me the slightest clue. MRS. S. But I do possess a clue--a certain infallible one. POS. Ah!--then where is your clue--produce your clue--what is your clue? MRS. S. (_looking intently at RATCLIFFE_) A paper in the handwriting of this bold and impudent villain, (_RATCLIFFE slightly starts_) treating the matter as a commercial transaction, and affecting to acknowledge as a voluntary loan from me the amount of which he plundered me. RAT. (_quickly_) A most important document indeed, and of the utmost consequence that I should obtain immediate possession of it. MRS. S. (_sarcastically_) I believe you, sir; shall I fetch it? RAT. Certainly. MRS. S. And you _will remain here till I return?_ (_significantly_) RAT. Assuredly. MRS. S. (_hastily--aside to POSTLETHWAITE_) See that he does. _Exit hastily, L. D._ RAT. (_aside and agitated_) That cursed paper may betray me, and this mad desperate game will have been played in vain. POS. (_taking his arm and in a confidential manner_) Now between you and me and the post, if Cousin Somerton was to say to you, what will you give me for the chance of recovering my fifteen thousand pounds? what would you feel disposed to offer? RAT. Not fifteen thousand farthings. POS. (_aside_) The devil. RAT. But what of that; the loss of a few paltry thousand can never lessen the intense affection you feel for your charming cousin. POS. What do you mean by "intense affection?" I respect her--I like her--so I did my grandmother, but it never would occur to me to fall down and worship the ground she treads upon! besides to be candid with you, I don't think she is the sort of woman to fret herself into fiddlestrings about _me._ RAT. Indeed! POS. No; besides, I put it to you, would it not be most selfish, most unkind in me to take a mean advantage of her promise to marry me, and compel my young and lovely relative to spend the remainder of her existence with me in my second floor in Arabella Row, Pimlico. RAT. (_grasping POSTLETHWAITE'S hand_) That sentiment does you honour! Then she's at liberty to cancel her engagement to you? (_eagerly_) POS. Yes, from this moment she's at liberty. _Enter PEGGY running, L. U. E._ PEGGY. Where is he? (_comes down C._) Where's Mr. Superintendent? (_to RATCLIFFE_) Oh, sir, (_seeing POSTLETHWAITE_) Lor, Master Percy, is that you? (_throwing her arms round POSTLETHWAITE, then turning again to RATCLIFFE_) Oh, sir, I've got such news. (_to POSTLETHWAITE_) Lor bless'ee, I must have another buss. (_flinging her arms round POSTLETHWAITE_) POS. That'll do, Peggy; I appreciate your affection, but it rumples one's front. (_arranging his shirt_) PEGGY. (_to RATCLIFFE_) Then, sir--well, and so you must know that. (_turning to POSTLETHWAITE again_) Lor love'ee. (_about to embrace him again. POSTLETHWAITE turns away_) PEGGY. (_to RATCLIFFE_) Well, sir, Sergeant Jones has just been here, and says he to me--says he--tell my Superintendent, Captain Ratcliffe, says he, that we've found the robber, says he. POS. (_triumphantly_) And the money too, of course; not that my intense affection for my charming cousin could ever be influenced by a few paltry thousands more or less--no; I love her for herself alone. PEGGY. It does my old heart good to hear you say that, because they've neither found the robber nor the money yet. POS. Pooh, what a stupid old fool you are. What have they found then? PEGGY. A hat! POS. A hat! I never heard of anything so absurd in all my life. PEGGY. But it's a very peculiar hat--what they call a wide-awake--a green one. (_POSTLETHWAITE here slowly raises his hand and feels his head, then looks about him. RATCLIFFE notices his movements_) PEGGY. Sergeant Jones found it under the window; but that's not all--he says that the robber in making his escape must have fallen into the green house, and that probably his clothes may have been cut, or that pieces of glass may be sticking in him. (_POS. falls behind--gives a sudden start of pain--then examines his coat tails and finds one of them torn, fixes his hand on it. RATCLIFFE still observing him_) But that's not all, there are footmarks on the gravel walk, and as the gravel was only laid down yesterday, Sergeant Jones says that some of it must be sticking to his boots. (_here POSTLETHWAITE begins shuffling with his feet about, which he keeps up incessantly_) But that's not all! as Joe Podger, the blacksmith was going to his work this morning, he saw a man, a little short man, he says, (_POSTLETHWAITE draws himself up and crosses to C._) drop from that window, and he says he should know him again among a thousand. POS. Oh lud! (_slightly staggering_) RAT. (_trying to check a laugh_) What's the matter, my dear fellow? here sit down. (_making POS. sit down, who utters a cry of pain and jumps up again, then seeing RAT. and PEG. looking at him, begins shuffling his feet about again, and keeping his hand on his coat tail_) RAT. (_to PEG._) Tell Sergeant Jones from me to act upon the information he has got without one moment's loss of time; run, fly! (_PEGGY trots out at door, L. U. E._) RAT. (_to POS. and slapping him on the shoulder_) This is famous news indeed, eh? POS. Yes, glorious news, though for my part I can't see that there's anything at all in finding a wide-a-wake--any man might lose his wide-a-wake--I might lose mine, and it might be a green wide-a-wake. RAT. Heaven forbid, for I should immediately arrest you, my dear friend, but what of that? your charming cousin is too well aware of your intense affection. POS. What d'ye mean by _intense affection?_ As I said before, I respect her--I like her, but-- RAT. But what? POS. (_grasping RATCLIFFE'S hand and assuming a desperate tone and manner_) The dreadful truth must be spoken! I'm a rascal--I love another--the interesting widow of a large straw bonnet maker. When I say large, I don't allude to the bonnet maker, but the business--and shall I basely forsake the confiding woman who has placed all her straw bonnets--I mean all her happiness in my hands?--No! though my cousin _will_ soon have her £15,000 again. RAT. That's very doubtful. POS. No such thing. I'm certain of it, and so are you; still, never, never shall it be said of Postlethwaite, that he was actuated by the love of filthy lucre--so you'll wish her good bye for me, won't you? RAT. Stay. Suppose you write a few lines to her, stating your reasons for renouncing her hand, and I'll deliver the letter to her. POS. I'll do it at once, (_aside_) and considering that there's very little chance of Cousin Somerton's seeing a shilling of her money again, and a very considerable chance of my getting into trouble; the sooner I make my way back to Arabella Row, Pimlico, the better. (_goes into room, R. 2 E._) RAT. (_anxiously_) _Will_ he write to her? will he, indeed, renounce her hand? _Enter MRS. SOMERTON, L._ MRS. S. (_aside_) Still here, 'tis well; and now, Captain Ratcliffe, it is my turn to frighten you. RAT. (_resuming his official manner_) Well, madam, have you found this important paper? MRS. S. Yes, sir, but conceive my annoyance, when instead of a receipt, as I anticipated, I found the paper consisted of a few wretched insipid verses; intended to be very complimentary, no doubt, but commonplace in the extreme. RAT. (_aside_) This is pleasant. I thought they were remarkably pretty verses. (_aloud_) Might I be favoured with a perusal of them? MRS. S. Unfortunately, a near neighbour of mine, a _magistrate_ happened to look in, and thinking it would forward the ends of justice, I placed the paper in his hands. RAT. A magistrate? MRS. S. Yes, who on looking at it, suddenly exclaimed, "I cannot be mistaken--no, I'll swear to the handwriting." RAT. Indeed! (_aside_) The devil! (_aloud_) and his name is---- MRS. S. Boldwig. RAT. Boldwig! (_aside_) My old colonel, damn it, I've written a hundred letters to him. MRS. S. The colonel fancies the robber may be still concealed on the premises. RAT. (_forcing a laugh_) Ha, ha! Still on the premises, a very likely matter. MRS. S. Why not? So bold and impudent a villain, as you very properly designate him. How fortunate it was that I remembered the existence of that "important paper." RAT. Yes, it was a very brilliant idea of yours, indeed. MRS. S. And how still more fortunate that Colonel Boldwig at once recognised the handwriting, for of course it will infallibly lead to the capture of the unconscionable scoundrel, as you very properly called him. RAT. (_rather nettled_) You seem remarkably anxious to punish this unhappy misguided being, ma'am. MRS. S. Heyday! did you not say to me, just now, "Madam, as the representative of the law, I tell you that it matters not what his social position may be; we must not mince matters." (_imitating RATCLIFFE'S manner._) RAT. (_aside_) She's laughing at me, that's quite clear. (_aloud_) Of course not; but--but--(_drawing his chair closer to MRS. SOMERTON_)--but--(_aside_) Pon my life it requires more courage than I imagined. (_aloud_) I was about to observe that the circumstances attending this robbery are so--so whimsical. MRS. S. Whimsical? RAT. No, not whimsical, eccentric! that one is almost inclined to ascribe it to some other motive. MRS. S. (_aside_) We are coming to it by degrees; (_aloud_) and pray, sir, what other motive can your lively imagination suggest? RAT. (_drawing still nearer, and after a short hesitation, then in a low and impassioned tone_) Love! MRS. S. (_aside and smiling_) At last. (_aloud_) Love! ha, ha, ha! Love of bank notes! RAT. (_earnestly_) No. Love for you. Yes, madam, cannot you imagine an admiration so boundless--a passion so irresistible, that it might prompt a man? MRS. S. To rob me of £15,000, and frighten me out of senses into the bargain. RAT. (_still more earnestly_) Yes, madam, if by so doing, if by apparently reducing the woman to poverty, he hoped to obtain a voluntary resignation of her hand from a rival, who loves her for her fortune only. MRS. S. Really, Captain Ratcliffe, I must confess you have imagined a marvellous pleasant love story. RAT. Not more marvellous than true. Here are the proofs, (_gives pocket book to MRS. SOMERTON_) and now think, madam, what a love must that man's be who could thus risk his name, character, and reputation, with the sole hope of preserving you your liberty. MRS. S. But unfortunately the denouement of this romance of real life is wanting; the rival does not resign the lady's hand. RAT. (_aside, and looking towards room, R. 2 E._) Why the devil doesn't he make haste with the letters? (_POSTLETHWAITE looks in at the door_) MRS. S. (_catching a glimpse of him_) No, sir, I know my cousin too well--he loves me too dearly to care about my loss of fortune; _he_ will be only too happy to work for me, toil for me, slave for me. POS. (_at door_) Will he! (_disappears_) MRS. S. He will never resign the hand of her he loves, beggared though she be. (_here POSTLETHWAITE comes out of room cautiously, slips the letter into RATCLIFFE'S hand, and runs out at door, L. C._) RAT. (_presenting letter to MRS. SOMERTON_) From Mr. Percy Postlethwaite, madam. (_aside_) If he has deceived me I'll make Arabella Row, Pimlico, the scene of a terrific drama. MRS. S. (_reading letter_) "Ever beloved cousin, I need not say that the loss of your fortune is nothing to me----" (_to RATCLIFFE_) You hear? RAT. (_aside_) The devil take him! MRS. S. (_reading_) "----But as the presence of a handsome, dashing young man like Captain Ratcliffe, under your roof in the middle of the night will necessarily afford materials for all the scandal mongers in the neighbourhood, I reluctantly tear your image from my heart, and bid you farewell for ever." RAT. Then you are free--free to bestow your heart, your hand! MRS. S. Nay, sir, what if my heart were no longer at my disposal? (_RATCLIFFE starts_) What if it had long since been given to one who once preserved my life at the peril of his own, and whose letters faithfully preserved (_slowly and with emotion drawing forth a packet of letters from her bosom, and looking down_) enabled me to recognise his handwriting. RAT. Can it be possible? (_with rapture_) MRS. S. That I have been taking my revenge on you for the last half hour without your perceiving it! (_holding out her hand_) RAT. Oh, madam! (_kissing her hand_) MRS. S. Hark! (_noise without_) DAVID. (_without_) Bring him along--if he won't come agreeable, drag him in by the hair of his head. _Enter DAVID, running, L. C., and dragging in POSTLETHWAITE, his dress disordered, DAVID carries a green wide-awake in his hand--PEGGY following._ DAV. Here, missus, we've got the robber. MRS. S. (_holding RATCLIFFE'S hand_) So have I! DAVID. Here be the desperate villain, ma'am, and here be his desperate green wide-awake; (_shewing hat_) and what's more, we won't let him go. MRS. S. No more will I! (_seeing POSTLE._) Cousin Postlethwaite! PEGGY. (_running forward_) Lawks! yes--so it be. Oh, Master Percy! (_throwing her arms round POSTLETHWAITE_) POS. (_throwing her off_) Don't be a fool, Peggy. As I said before, it rumples one's front. MRS. S. (_making a sign, all come forward and surround her_) My good friends, you need give yourselves no further trouble, I have recovered my property. My fifteen thousand pounds are here. (_shows pocket book_) POS. You don't mean that! (_very tenderly_) Oh, my ever beloved cousin! (_aside to RATCLIFFE_) Where's my letter? (_again to MRS. SOMERTON, and still more tenderly_) I repeat--oh, my ever beloved cousin! (_again aside to RATCLIFFE_) Where's my letter? RAT. (_aside to him_) I gave it to Mrs. Somerton--it's all right. POS. All right! I'm horribly afraid it's all wrong! MRS. S. Yes, cousin, I've read your cruel words, and as it seems you won't have me---- (_with affected grief_) POS. But I will. (_very tenderly_) Dry your tears ever-beloved one--I _will_ have you. MRS. S. What, in spite of the presence of a fine dashing young man under my roof in the middle of the night--eh, cousin? POS. (_still very tenderly_) What of that? I'm not so very particular. MRS. S. But think of the scandal mongers of the neighbourhood--eh, cousin? POS. Never mind--I'm desperate! MRS. S. So am I--and, therefore, as the only means of preserving my reputation, I gave my hand to him who has compromised it. (_giving her hand to RATCLIFFE._) POS. What, Charley Ratcliffe? PEGGY. (_aside_) Then that's Mr. C. R. after all. RAT. (_to POSTLETHWAITE_) Yes, my dear friend, the gigantic housebreaker, seven feet high, with two pair of pistols in each of his brawny hands, stands before you. POS. You? Poo--poo! Where are your whiskers?--where's your imperial? RAT. In my pocket--ha, ha! POS. (_after a short pause_) I say, Master Charley, what sort of a game have you been playing here? MRS. S. (_smiling_) A game of fright. POS. Ecod, it's more like "Beat my neighbour out of doors!" RAT. At any rate, I have secured this lady for my _partner_, and for such a prize who would not play "A DESPERATE GAME." CURTAIN. PRINTED BY THOMAS SCOTT, WARWICK COURT, HOLBORN. Transcriber's Note This transcription is based on images digitized by Google from a copy held by Shields Special Collections of the University of California, Davis Library. The images are available through the HathiTrust Digital Library at: http://catalog.hathitrust.org/Record/007431700 In general, I have retained variant spellings (e.g., "tarletan", "trowsers", "does'nt", "her's", and "your's") and the idiosyncrasies of the original punctuation. However, for the sake of consistency and to correct obvious errors, the following changes were made: - The spacing of the abbreviations for the entrances and exits has been made consistent. - p. 2: MRS. SOMERTON,--Green tarletan ball dress--Changed comma to a period for consistency. - p. 4: RAT. By all means, David. (_aside_) he does'nt know me.--Capitalized "he". - p. 9: for the amount at once (_taking a piece_--Inserted a period after "once". - p. 9: I had taken that _little precaution_ against interruption (_resumes his writing_)--Inserted a period after "interruption". - p. 11: _makes a profound bow, and exits, L. U. E_)--Inserted a period after "E". - p. 12: I'll run for him this monent,--Changed "monent" to "moment". - p. 12: no, my friend (_running to door, L. C._) Holloa,--Inserted a period after "friend". - p. 12: _to ring the bell_, and the bell rope's cut--Changed the comma to a closing parenthesis. - p. 12: raise an alarm at all events (_pulling both triggers_--Inserted a period after "events". - p. 12: Oh, if I had only known that (_about to get out at the window_)--Inserted a period after "that". - p. 14: POS. (_pulling him back_) you can't till your successor is appointed.--Capitalized "you". - p. 14: That's right--you must know then (_seats himself_)--Inserted a period after "then". - p. 15: My cousin, Captain Ratcliffe (_introducing them._--Inserted a period after "Ratcliffe". - p. 15: RAT. True! smiling.--"smiling" is a stage direction, so this line has been changed to: "RAT. True! (_smiling_)" - p. 16: RAT. (_smiling again_) True,--Comma changed to a period. - p. 16: POS. Yes, yes, (_aside to him_) That'll do--she can't bear it.--Changed comma after second "yes" to a period. - p. 16: RAT. (_to Mrs. S._) Bank notes, I presume?--"Mrs." changed to small caps in the html version and all caps in the text version for consistency. - p. 16: this bold and impudent villain. (_RATCLIFFE slightly starts_) treating the matter as--Changed period after "villain" to a comma. - p. 17: Lor, Master Percy, is that you? _throwing her arms_--Inserted a beginning parenthesis before "throwing". - p. 17: Lor love'ee, (_about to embrace him again._--Changed comma after "love'ee" to a period. - p. 18: here sit down, (_making POS. sit down_--Changed comma to a period. - p. 18: run, fly! _PEGGY trots out at door_--Inserted a beginning parenthesis before "PEGGY". - p. 18: RAT (_to POS. and slapping him on the shoulder_)--Inserted a period after "RAT". - p. 19: POS. I'll do it at once, (_aside_) amd considering--Changed "amd" to "and". - p. 19: The devil! (_aloud_) and is name is----Changed first "is" to "his". - p. 20: we must not mince matters. (_imitating RATCLIFFE'S manner._)--Inserted closing quotation mark after "matters." - p. 20: more courage than I imagined. I was about to observe--Inserted "(_aloud_)" after "than I imagined." End of Project Gutenberg's A Desperate Game, by John Maddison Morton *** END OF THIS PROJECT GUTENBERG EBOOK A DESPERATE GAME *** ***** This file should be named 45628-8.txt or 45628-8.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/4/5/6/2/45628/ Produced by Paul Haxo from page images generously made available by the University of California, the HathiTrust Digital Library, and Google. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation's web site and official page at www.gutenberg.org/contact For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.